For Your Listening Pleasure

This is nothing more than a place to discuss music and all its tasty goodness

Sunday, April 11, 2010

One Big Holiday (My Morning Jacket)

In high school, one of my friends dated a guy who always wore this shirt I thought was really cool. It was black and had these weird little creatures wearing masks on it with the words "My Morning Jacket" on the bottom. I later found out that shirt was the cover art for their album "Z". My Morning Jacket has always been that band I've heard a lot about, always liked what I'd hear, but never felt the need to go pursue them (if you know what I mean)...until now. Over spring break my brother and I watched the Bob Dylan biopic I'm Not There and in the movie, My Morning Jacket front-man Jim James, makes an appearance with the band Calexico covering Bob Dylan's song "Goin to Acapulco." It was the first time, in a long time, that a song really truly moved me (and the scene in the movie as well). Watching this and seeing how the song epitomizes the scene to perfection is exactly what I want to strive to do later in life if I end up working in music supervision. Anyways, here's the scene:




Originating in Louisville circa 1998, My Morning Jacket is an indie rock and alternative country (in some cases) band that got its name from the initials "MMJ" seen on a discarded coat lead singer Jim James once saw. Jim James has probably the most unique vocals I've ever heard. He utilizes spring-reverb for all facets of their sound, making even an arena filled stadium sound intimate. My favorite MMJ song is without a doubt "One Big Holiday". Everytime I hear it, I just want to run. In addition, put it in a movie - preferably a chasing scene or maybe when a character comes to some sort of self-realization. Here's my favorite live performance of it:



Their first album The Tennessee Fire was a breath of fresh air for American music. The album evokes a sort of lonely memory of a Gothic country night. Electric and acoustic guitars, harmonica, lap-steel, drums and bass all join Jim James' unique (Neil Young meets Wayne Coyne) voice in a huge pool of reverb. At first you wonder if his voice will overtake the songs, but after the first chorus you realize that the beauty of these simple and emotive songs is only enhanced by the addition of this effect, and by the end of the first song, you can't even tell that it's there.

Their sophomore album At Dawn is full of the same strumming acoustic guitar, hauntingly treated vocals, elements of country and blues, and everything else that we all love about My Morning Jacket. This album seems to blend more of a Neil Young, The Band, Bob Dylan and Velvet Underground vibe. Their music is a magnificent country, rock and Americana stew. I just recently added "The Way He Sings", "If It Smashes Down" and "I Needed It Most" to my Rain playlist so it is definitely worth taking a listening to.


It Still Moves is my favorite My Morning Jacket album. It's the last album produced by Jim James which in my opinion makes the two albums following this one a little less personal. This album is reverb central with some of the best guitar songs I've ever heard. The album itself is the spacious sound of southern psychedelia, synthesis of the Flaming Lips' fever dreams and the Allman Brother's chops-flaunting excursions filtered through the country-boy-for-life sensibilities of lead singer Jim James. His vocals simply echo to the point that it sometimes sounds like it was recorded down in his native Kentucky's Mammoth Cave. The first song on the album "Magheeta" will be the first song on my Summer 2010 playlist. In fact the entire It Still Moves will mostly likely be on the playlist. "Golden" is a perfected ballad (check out Marco Benevento's cover of the song), "One Big Holiday" has one of the best intros, "Run Thru" is included in the "Rolling Stone's 100 Greatest Guitar Songs", and "Easy Morning Rebel" has just the right amount of southern love. Overall, this album needs to be added to your collection.

The infamous album cover art that started it all. Z was a different turn for MMJ, with new keyboardist Bo Koster and new producer John Leckie. This album also features well renowned musicians such as Andrew Bird on strings and whistles heard on "Gideon", "Into The Woods" and "It Beats 4 U", and M. Ward on acoustic guitar and background vocals on "Into The Woods". This is the most upbeat album they've produced with the radio-friendly "Off The Record" and calliope organ pinwheels in "Anytime". "Knot Comes Loose" is featured on my "Roscoe Road At Night" playlist and is probably my favorite song on the album. To many people this is their favorite MMJ album and it makes sense - it's well done. But for me, I prefer the raw authentic MMJ heard on the last three albums, "It Still Moves" specifically.


Released in 2008, MMJ's concept album Evil Urges is by far the most unique album. The opening track "Evil Urges" sounds like it beamed down from Radiohead's "Ok Computer" with the spacey keyboards. This album is all about those evil urges, from fantasizing about a "Librarian" to the sexual frustration of "Touch me I'm Going To Scream Pt. 2" My friend's favorite MMJ song is "I'm Amazed" featured on this album and I'd have to agree it is up there on my favorite MMJ songs. I have yet to listen tot his album all the way through with no interruptions, but will definitely do so soon enough.

Tuesday, April 6, 2010

Golden (Marco Benevento)

Back in the Big Easy. Spring break is over, and it was eventful (good and bad) to say the least. A lot of things have happened recently so naturally when things get "eventful", my music library expands even further. Every time I go back home my friends and I share music. Typically, I give them music they've never heard of and they give me music that everyone else seems to know but me. It's a pretty good system. But anyways, my current obsessions are a mixture of different things: music that I plan on seeing live soon (jazz fest!), music that my friends gave me, music I'm trying to get into, and music that I recently discovered I owned but never listened to.

FIRST, let me tell you all the craziness that is about to transpire here in New Orleans (excluding Jazz Fest):

April 9-11 - French Quarter Festival
April 9 - New Grass Country Club CD Release Party
April 10 - Electronic Takeover (Maison Upstairs)
April 14 - Easy Star All-Stars feat. Dub Side Of The Moon and Lonely Hearts (House of Blues)
April 22 - J.J. Grey & Mofro (Tipitinas Uptown)
April 23 - Marco Benevento feat. Billy Martin (Medeski, Martin, & Wood) (Tipitinas Downtown)
April 23 - Mike Dillon's Go-Go Jungle (Le Bon Temps Roule)
April 24 - Pattie Smith (Tipitinas Uptown)
April 24 - Soul Rebels w/ Coyotes (Cafe Prytania)
April 24 - My Morning Jacket and Preservation Hall Band (Preservation Hall)
April 25 - "Worship My Organ" with Marco Benevento, Skerik, Robert Walter (Blue Nile)
April 25 - "Drummer Cometh" with Stanton Moore, Terence, Johnny Vidacovich, Shannon Powell feat. Jason Miles, George Porter, Billy martin, Ian Neville, etc. (Howlin Wolf)
April 28 - Garage A Trois, Mike Dillon Trio, The Dead Kenny G's and Marco Benevento Trio (Howlin Wolf) I AM GOING TO THIS WITHOUT A DOUBT
April 29 - North Mississippi Allstars (Tipitinas Uptown)
April 29 - Julian Casablancas (The Republic)
April 29 - Galactic (One Eyed Jack's)
April 30 - Old Crow Medicine Show (House of Blues)
April 30 - Garage A Trois (One Eyed Jack's)
April 30 - Pretty Lights (The Republic)
April 30 - Kottonmouth Kings (Spotted Cat)
May 1 - Galactic w/ The Meters & Rebirth Brass Band (Howlin Wolf)SOLD OUT
May 9 - Ludacris (House of Blues)
May 12 - Cage The Elephant (House of Blues)
June 16 - Passion Pit plus Tokyo Police Club (House of Blues)


With that being said, it is easy to say that I will be quite busy this month. If you're in town, come see these shows with me!


Current Obsessions

Marco Benevento
Marry me, Marco Benevento. Pianist, organist and composer from Brooklyn. Innovator in the jazz and experimental music scene for a decade now, Marco Benevento is hands down my favorite pianist. Everything he does from the Marco Benevento Trio and Benevento-Russo Duo to Garage A Trois. Two of his bands (Marco Benevento Trio and Garage A Trois) are coming here to New Orleans to play in one show and I will be there. We're trying to get Marco Benevento to come to the WTUL radio station when he's here in New Orleans for an interview during my jazz show. If that happens, I don't even know what I'd do. He puts freakin smiley faces on the keys of his keyboard...need I say more? My goal for the month of April is to see Marco Benevento as many times as possible, have a conversation with him, and maybe, just mabye, get to touch his hands. Anyways, at the station this past Monday, I discovered his latest album "Me Not Me" which consists of his own works and various cover songs. Those cover songs include works from My Morning Jacket, Beck, Led Zeppelin, Deerhoof, The Knife, George Harrison and so forth. It is absolutely amazing. I played the Led Zeppelin cover of "Friends" at the station but later favored the My Morning Jacket cover of "Golden" the best. Take a listen:



Garage A Trois
I talked about this band in my very first post, but since they're coming here to New Orleans, I feel the need to reiterate myself. Garage A Trois is a collaboration between four of the most visionary jazz improvisers: Skerik on saxophones, Mike Dillon on vibes, Marco Benevento on keyboards and Stanton Moore on drums (Charlie Hunter was originally a member playing guitar, but he left in 2007 and Marco Benevento took his place - can't complain there). Their tightly orchestrated arrangements, refined melodies, intricate sonic weaves, and positively modern approach to instrumental songwriting is what makes me what to see them more than anything this coming end of April. I only have their latest album "Power Patriot" but I've listened to a few tracks from their other albums and though different, I enjoy every one. Here's my favorite song:






North Mississippi Allstars
First heard about these guys from the Black Snake Moan soundtrack with their song "Mean ol' Wind Died Down". I'm a sucker for any modern Southern rock/blues jam band (Kings of Leon USE to be a damn fine Southern rock band with a modern twist). The trio has been nominated for a Grammy for "Best Contemporary Blues Album" with their first release Shake hands With Shorty. They've worked with people such as Robert Randolph, The Word and my man, John Medeski. They have a sort of Jack White flair to them, which is why I think I like them so much.




Gil Scott-Heron
Rose to fame in the late 1970s, known as the "black Bob Dylan", Gil Scott-Heron is one of the most famous American poet and musician in music. He's especially known for his "spoken word" soul performances. His style encompasses a fusion of jazz, blues, and soul as well as lyrics that reflect the social and political issues of the time. Scott-Heron's proto-rap style is one of biggest influences on hip-hop. I picked up his "I'm New Here" album in the station and immediately fell in love. Especially with his song "Me and the Devil" which is an adaptation of my favorite blues player Robert Johnson's "Me and the Devil Blues". The album debuted at number 181 on the US Billboard 200 chart. It has a little bit for everyone: blues, folk, trip hop and electronica. His "post-modern" blues style makes me imagine if Massive Attack were to jam with Robert Johnson, this it what it would sound like:



Bill Frisell
When people think of jazz, they think of smooth jazz. But just like rock has many different factions (indie, alternative, classic, southern, etc), so does jazz. And progressive jazz/rock/folk is one of my favorites. Bill Frisell is one of the top guitarists in the jazz world, though most of his style is progressive folk, classical and progressive country. He uses a variety of effects like delay, distortion, reverb, etc) to create unique sounds. Frisell's newest album Disfarmer is inspired by the life and photographs of Depression-era Arkansas chronicler/photographer Michael Disfarmer, who documented the lives of pre-war rural southerners. On the album, Frisell's band uses a stand-up bass, steel guitar and fiddle. He covers Hank Williams and Elvis Presley, two of my favorite musicians. Though sort of a stretch from jazz, sometimes you need some folk in your life. With that being said, go folk yourself:



P.S. Grooveshark doesn't have the new album so I had to resort to LaLa. Sorry.